Richard Armitage & Georgette Heyer - what could they possibly have in common?

So, what does this once prolific writer have in common with "Hunk of the Month Richard Armitage"  - as seen in sidebar?



If you're a fan of Richard A's you'll know he has a gorgeous voice!

Now, be honest ladies what does a voice like his do for you?

Well, let me tell you he's the narrator of Georgette Heyer Audio books.

Don't tell me that hasn't tempted your palate. And, you can read what he had to say about reading audio books here. 

If you want to buy one of his narrations they are easily located at Amazon!

As can be seen from these images not all Georgette historicals were set in the Regency period.

Note the book price bottom left corner of Powder and Patch - 2shillings/sixpence.

Did you know Georgette also wrote mysteries?

If you're a fan of the late lady of romance, you'll know she preferred a reclusive writer lifestyle: sensible woman.

When she died aged seventy-one in 1974, she had fifty-one titles in print: hard covers, paperback and all translated into at least ten languages and pirated in others.

What a great Legacy for all historical romance junkies. There are still original gems to be found especially on eBay!

Also, there's a lovely site dedicated to Georgette here. Well worth a visit.

Tessa's Birthday Bash Blogfest!

Tessa's hosting this party blogfest: Happy Birthday Tessa.

The Mystery of the Missing Pink Fairy Crown Cakes.



‘Oh my giddy aunt,’ exclaimed Sybil, upon entry to the kitchen. ‘They’re gone.’


Hearing her mother’s forlorn outburst, Fiona rushed in. ‘Where are the fairy crown cakes?’

Silence hung heavy for a moment. Mother and daughter eyes locked.

‘Who, who would steal pink cup cakes?’ yelled Fiona.

Sybil glanced toward the back door: left ajar. Nearby lay an incriminating crushed pink fairy crown cake on the floor. ‘They, it, whom, went that way’

‘Thank you Sherlock,’ snapped Fiona, panic in voice as she hurried toward the door. ‘Oh no, the tiered plate is broken.'

Sybil couldn't help but let forth a slight smirk.

Fiona's voice escalated an octave.  'It’s here, on the steps. Damn.  It was a wedding present from Jerry’s mum.’

Sybil sniffed. ‘Does it really matter? I’ll buy you another one.’

‘Of course it matters. I used it today just to please Constance. It’s part of that tea set she paid a fortune for. ’

Sybil sniffed again, and rummaged in the broom cupboard for a dustpan and brush.

Fiona lowered her voice, snatched both sweeping tools from her mother’s grasp. ‘I know you don’t much like her, but I have to live with Jerry. Please, please behave when she arrives back from the shops. Do not, I stress, do not make faces behind her back.’

Sybil shrugged, whispered, ‘Have you not thought about that hound of hers?’

‘Digby?’ shrieked Fiona. ‘He wouldn’t. He never has before. Would he?’

Digby appeared ball in mouth and bowled into Fiona, the contents of the dustpan immediate back to the floor.

‘Digby,’ screamed Fiona, hurriedly re-scooping the chipped china and bits of bent metalwork into the dustpan. ‘You didn’t, did you?’

Formerly thrilled at hearing his name called, Digby’s expectant expression fell to that of thinking himself in trouble. Ears lowered, eyes soulful he reasoned the best thing was to retreat at speed. Again, the contents of the dustpan hit the floor.

The doorbell rang. Fiona threw the dustpan on the floor. ‘Oh hell, Constance is back.’

Sybil took to collecting the china pieces and quickly dumped them in the rubbish bin. Jerry’s snooty mother would be so upset when she finally discovered the fate of her prized wedding gift.

Rather than stay and hear Constance wailing about a three-tier-plate Sybil ventured outside into the garden, her Sherlock hat metaphorically on head.

After a short stroll she found another pink fairy crown cake, and Digby thoroughly enjoying it. Not that Digby was the thief, for she spied teddy bears having a rollicking picnic with misshaped pink fairy crown cakes.

A little voice from behind a bush said, ‘Is it all right to come out now, Grandma?’

‘Of course, sweetheart.’

The birthday girl remained hidden.

‘I didn’t mean to break Grandma Dicksons best plate. Is mummy very cross?’

‘Not really, Bethany, she was upset because she thought Digby had stolen your birthday cakes.’

Digby didn’t. I did.’

‘You can’t steal your own cakes, darling, and if you want to share them with your teddys’ that’s quite all right.’

Bethany emerged from behind the bush, pink icing around her mouth.

‘There you are,’ said Fiona, eyes immediate to teddy bears, ‘we wondered where you were’

‘We’re having a teddy bear picnic,’ chimed Sybil, aware of posh Grandma Dickson following on her daughter’s heels. ‘Do come and join in the party fun.’



To read other participants party posts go here. 

WARNING! HELP!
If I've missed anyone please let me know, otherwise I won't be able to reciprocate with a visit to those participants I'm not already acqainted with (follower). I've been experiencing difficulty with Tessa's blog: serious freeze screen mode.  

Writing Process Blogfest - How Do You Do It?

  Shalleem is very kindly hosting this blogfest, which is: How do you process your writing! Basically, are you a Pantser or Plotter? 

Less haste more speed, as the saying goes. Spot the mistake: above!

As this blogfest is all about exposure of how one sets about writing a novel – whether plotter or pantser - I’d say I’m neither. That said I do resort to copious notes in A4 notebook, for both contemporary and historical novels: nothing to do with plotting. Notes consist of character description, character profiling, and peripheral info: names of pets, horses, make of cars, how many etc.

When writing historical novels, re times/ dates, notable events, costumes, availability of fabrics, and even word usage etc., becomes essential to credibility of the novel’s period setting. Without this knowledge of the above a historical novel will read like a story set in whatever time-period you choose, but will it ring true to those who love that period and who love history? That's the guide I go by and judge by as a reader. That said, I don't want the book to read like a history lesson.


So oft I come across historical novels written not only in 21st century speech (gotten what she wanted – not got, or when required, begotten), the author also used 21st century slang (sheesh/huzzah etc), and committed the cardinal sin of not researching places (town/city). It happened in one novel, where Brighton featured. Whereas, in the period chosen, Brighton was known as Brighthelm. In another, Bath was mentioned (as Bath is today) not Bath as it was in Jane Austen’s time. There is every reason to check, check and double check historical fact. It can be the difference in acquiring a readership following or being ranked the author who writes crappy would-be historicals. Even with modern contemporary novels, element of research is necessary if what is happening in our novel is outside our own field of expertise. Why try and write about what we don’t know without first reading up on what we need to know!?


Now to inspiration for novels, which for me tends to be artwork. I love art galleries and can spend ages gazing at pictures. And, it’s at times like these a particular picture might cause me to linger, pondering who the person/people might be, and what might they have been thinking when posing for the portrait. Sometimes they are well known people, sometimes a figment of the artist’s imagination, so too the backdrop.

Take a quick look at these three images: they all inspired the writing of a novel.



With the first image I couldn’t stop feeling these two men were father and son on opposing sides in a war. Hence, a dream brought them alive and they became the inspiration for a historical set within the period of English Civil War. Chapters available to read on my writer profile blog.


In the second image, the girl conveyed (to me) sense of loss, sadness and longing! It became a modern contemporary romance. The name Tara seemed to spring from the image, her story and inevitable tragedy came to me in full cinematic glory during overnight dream, and I felt as compelled to get her story down in words as that of the two men on horseback in previous image.


The third image too drew my eye, my attention stuck on the polo player on the right hand side. Something about him spoke volumes: his boldness on the polo ground not in doubt. Yet I felt, despite obvious wealthy lifestyle, there was air of man alone and something missing in his life, all the while women throwing themselves at him. His story and that of a would-be mistress came to light in overnight dream, but it was not the would-be mistress who’d stolen his heart. It was a woman who walked with lions, yet one unkind gesture by him and she fled from the man known to his polo cronies as el Cavaliero. How in hell was he supposed to undo what he’d done? Well, I helped him out a little.

In effect I am not a pantster or plotter, as you can by now tell, because images inspire the conscious mind, the subconscious logs flickered thoughts, the subconscious then working overtime at night in revealing characters and their stories in perfect movie format. I am then left with painting those pictures in words. So, there you have it, that is my way of writing.

To read other participants writing process: go here.



Timelines in novels - how to execute smooth transition!

I'm over at Heroines' with Hearts today: every Monday from now on.

This week we're discussing transition of timelines within novels.

Also, for anyone with a book coming out April onwards 2011, we have a Friday Friends day. A Friday Friend has the opportunity to tell us a little about their book, and what inspired them to write it. If you would like to be a Friday Friend e-mail me: it's on my profile.  Friday Friends has been a regular event at Heroines with Hearts so there are lots of authors already listed. 

See: Heroines with Hearts



Writing With The Stars Blogfest - celeb not!

E. Elle is hosting this blogfest, and I'm happy to play along in stretching the old imagination!

So, ever the intrepid here's my contribution.

* * *

Why, why had I agreed to enter into a reality TV show – mad or what?

Dream Wannabe Scriptwriter Challenge & Reality TV Show.

Write an episode for the Sharpe series.

The headline caught my eye, (Wow! Working with Sean Bean- it don't get better than that) and first sub heading suited me fine, but the little blighter below was so small it passed unnoticed:

Star in your own Sequence!

Anyhoo, I signed up and a few weeks later I had gotten through the interim stage with script presentation of a swashbuckling rescue scene. I was then invited to the studios where the reality show was to be staged, and that’s when the awful truth dawned!

There was no going back: I’d signed a contract. I was there, and the programme due to start the next day. I was going to be a STAR's side-kick: gulp!


Schedule:

Day 1: meet the lead actor and go over the script.

Easy peasy: or so I thought.



To say I was tongue-tied would be understating the obvious. You know how it is when something delectable is put on the table in front of you and you can’t wrench your eyes away from it, and you start drooling (metaphorically). Well, I was drooling big time! How we got through the script, if we did, is still a blur.

Bearing in mind this was a reality TV show, my real-time phone-in rating dived!
It looked like I had to go some to get the public on my side, but there was always tomorrow

Day 2: dress rehearsal and run through of scene takes.

At some unearthly hour of the morning someone hammered on the door of my home from home, which I must say was a relatively luxurious tin box. Hence I turned over and buried my head in a pillow: the hammering by now, much louder. Jeez, what time did these people start work? The sun was barely showing its nose.

I had ten minutes to get out on set according to voice ‘tother side of the door.

Oh what?

I closed my eyes and must have dozed off again.

I woke to hammering on the door, and it resonated impatience, as did the voice: “Get out here, now”.

Oh hell. I was late.

I leapt out of bed and ran out on set.



Cheers erupted all around. I was popular, my real-time phone-in rating soared.

I fled back inside to get dressed. Girls from the costume department, hair and makeup let themselves in to my tin box boudoir, and apparently the schedule had changed. The dress rehearsal of scene takes had been changed to live shoot. Going by the gown she had in her arms, I envisaged the scene to be the one where I would walk gracefully into a ballroom fan to face. How wrong could I have been?

As soon as I stepped outside I just knew it was going to be one of those days, the sort of days an actor must dread.

This was not the scene take I had anticipated. A mock-up Palace had been set ablaze, a black pall of smoke darkening the sky. Before I could make a run for it, the star rode on set looking like he’d been dragged through the ashes of a bonfire, so this was definitely the rescue scene. Oh well, at least I was destined for an up close and personal with SB. Hee hee.



SB reined in some distance away, and something about a chap holding a bucket of soot, and another bloke with bucket of something resembling ashes implied things were about to get messy for moi. How right I was, the contents of the buckets were showered over me! Then, some idiot with a massive fan (wind-maker) switched the damn thing on. The ordeal of being blasted was fleeting yet I felt I’d been to hell and back, and looked like I had, too.



By the time I’d regained my breath, the action scene was underway and I still a tad dazed from experience with the wind-maker. Next thing I’m hoisted in the air by one of the bucket-men, slung across the saddle of SB’s horse, and his hand on my arse as we sped past the blazing palace.

Scene shot over, the horse slowed to trot and thence to a halt and I slid off. I can tell you, once my feet hit solid ground I’d had it with this damn reality TV show. I walked away, thinking to hell with my real-time ratings, to hell with the chance of being a scriptwriter. I’m out of here, but . .. but something that happened in passing from saddle to ground left SB with a big grin on his face, and me a happy bunny, too.

Needless to say I was voted off the show for walking off set; index finger solidly aimed at the director and the jerk who'd created the "make-a-fool out of wannabe scriptwriters".

Sometimes nightmares can turn out better than reality, even if in the last few moments!

To read entries by other participants go here.